THE BUDDHIST EMPIRE OF THE KUSHANS
Ancient Glazed Quartz Beads from Bactria

The chiseled, blue and blue-greenish glazed chalcedony panel beads exhibited here are unparalleled in their kind. They hail from the regions of Balkh and Mazar-e-Sharif in present-day Afghanistan. Intriguingly, these unique beads are confined to this narrow geographical area, signifying that they were never disseminated along the famed Silk Routes, unlike many other varieties of beads.
 
Distinctive Form and Hue
The meticulous crafting and distinctive original shapes of these beads are truly noteworthy. Their spectrum of hues, ranging from deep blues to soft greenish tones, further accentuates their exceptional aesthetic allure.


The unique forms these beads exhibit could be attributed to an early method of wheel cutting, facilitated by a cutter and an assistant, who kept the wheel spinning by applying diamond dust. This technique harks back to the advent of the diamond drill around 600 B.C., and operates on similar technological principles as the bow drill.

Mostly, the glaze is observed to be partially worn off, and the originally refined cut shapes exhibit signs of considerable use. These beads, in general, bear evidence of significant wear and tear. This could suggest that these beads were either widely favored and extensively used, or that they possess a remarkable antiquity, or perhaps, both.


In this late stage of their bead-life, these odd quartz beads
have almost turned into expressions of modern art.

The Forgotten Hellenistic Kingdom of Bactria
In our quest to trace the origins of these beads, it's essential to remember that Balk was once the epicenter of the Greek-Buddhist state of Bactria. Bactria distinguished itself as the most enduring independent Hellenistic kingdom, renowned for its extraordinarily resilient culture and people.

It was customary since
Achaemenid times for the Persians to banish rebellious Greeks living within their empire to the farthest eastern frontier, Bactria. This practice was later adopted by the Greeks themselves. Owing to this policy of "Siberian exile", there was a substantial Greek presence in the region long before Alexander the Great's conquests and the subsequent emergence of the Seleucid Empire.

It is often observed that displaced minority cultures develop a strong resolve to preserve their traditional customs. Consequently, Bactria was home to Macedonian-Greeks who were, in many respects, more Hellenistic than their counterparts in Greece itself. Yet, due to their enduring cultural connections with Buddhist India under the Seleucid rule, this deeply conservative culture paradoxically remained open to a myriad of hybridizations with Indian traditions.
 

The Advent of the Kushans
Subsequently, the arrival of the invading Kushans, saw this unique Macedonian-Greek-Buddhist culture persist within Bactria. Interestingly, it persisted not as a remnant of a bygone era, but as a thriving tradition adopted by the conquerors themselves.

The Kushan didn't simply appropriate the culture of those they had conquered; they adopted and meticulously refined it, experiencing a cultural rebirth as innovative stewards of Hellenistic art. As a result, the famed Gandhara art was not a creation of the Macedonian-Greeks but rather a product of the Kushan civilization. The Kushans, in their cultural adaptability, played a critical role in preserving and enhancing the art forms of a culture they initially subdued.

 

The Prevalence of Buddhism
The Buddhist culture of Bactria, despite the establishment of an Islamic elite, maintained a significant cultural foothold in the region for centuries. However, a pivotal shift occurred in 1193 A.D. when Turkic Islamic raiders, led by Muhammad Khilji, ravaged and incinerated the renowned Buddhist university-monastery in
Nālandā.

Prior to this catastrophic event, the incursion and settlement of Arab forces did not necessitate religious conversion to Islam. Instead, the conquered populace was only expected to exhibit submission, primarily for economic reasons. The invaders were not particularly invested in converting the indigenous population, primarily due to a fiscal mechanism: the
jizya tax. This additional tax was levied exclusively on non-Muslims. Therefore, a wholesale conversion to Islam would have diminished this substantial revenue source for the ruling elite.

During this initial period of eastward expansion, spanning from the takeover  of Balk in 705 A.D. to the close of the 12th century, Islam remained primarily a religion of the ruling classes. The new leadership showed little interest in constructing a caliphate-style state and thus did not impose the kind of ideological control often associated with such overarching power structures. As such, local Buddhists and practitioners of other faiths were not relegated to the status of dhimmis, or second-class citizens. The governing elite were content to exert control over the region's financial systems, permitting Buddhists the liberty to shape the cultural landscape outside the limited sphere of Islamic life.
 
In this context, the primary threat to the Buddhist majority didn't originate from their Arab rulers but rather from the burgeoning sway of Hinduism. (Refer: 'Buddhism in Northwestern India and Eastern Afghanistan, Sixth to Ninth Century AD' by Giovanni Veradi). Indeed, the Buddhists were often more than willing to collaborate with Muslims as a means of combating the aggressive Brahmanisation emanating from India.

Considering the religious landscape of the Eastern Islamic territories, it's not an exaggeration to assert that Bactria functioned as a Buddhist society under foreign political control up until 1193 A.D. This geopolitical dynamic is somewhat comparable to the contemporary situation in Tibet following the Chinese occupation in 1950. How would you describe modern Tibet - as a Communist state or a Buddhist one?

A Misguided Chronology
In the book titled A Bead Timeline, the kind of glazed quartz beads showcased on this page are categorized as Early Islamic, unearthed from Nishapur and believed to be from the 9th to 11th century. Following this publication, these beads have often been categorically identified as 'Islamic' due to this established literary precedence.


 
I humbly dissent with this attribution that situates the origin of these beads as Islamic. I believe James Lankton overlooked the vital distinction between economic, political, and cultural power during the initial stages of the Islamic expansion towards the East. Let me take this moment, though, to express my deep appreciation for his exceptional work.

By this point, it should be abundantly clear that there's no reason to reflexively classify these Bactrian beads as Islamic, simply due to the governance of an Islamic elite in the region. It's more likely that these beads formed part of the ancient heritage that was still vibrantly alive at that time in this area.

Upon close examination of the glazed quartz beads from the timeline book's illustration above, it's obvious that these beads, bearing such extensive signs of wear, are significantly older than the 9th to 10th-century layer from which they were unearthed. Nearly all the glazed quartz beads in my collection exhibit similar wear and tear, indicative of prolonged use.

Considering that quartz ranks 7 on the Mohs hardness scale, it's quite evident that these beads must have already experienced multiple human lifetimes by the time they were sequestered.

This fact alone contradicts their categorization as Islamic beads. With this in mind, let's delve deeper into the glazing aspect.

It appears that glazing was applied later
Upon closer inspection of the beads, it becomes evident how intricately and precisely they were originally carved. This detailed craftsmanship is in stark contrast to the relatively haphazard, almost careless, glazing, barring a few exceptions which might be remnants of the original colorings.

I surmise that these beads were initially crafted without any color and then were glazed at a much later date. In several specimens, one can observe that the glazing was applied to a surface that had already seen substantial wear and tear for generations before this color modification was added, as can be seen in the example below:

It is plausible that these intricately carved quartz beads were crafted by the early inhabitants of Bactria. The original beauty of the white coloration, however, is similar to wearing white clothes - it inevitably acquires a grimy and worn appearance after hundreds of years of use.

Subsequent generations, perhaps even Muslim settlers, likely conceived the idea of reviving the beads' allure with vibrant glazing.
Here are some examples that exhibit this later application of glazing quite vividly.

It's likely that even the Islamic population in the region utilized these beads, even going as far as to reshape them. This carving displayed below, which portrays an Indo-Persian warrior donning a spiked Kulah Khud helmet, serves as a prime example of how these age-old beads were altered to meet the changing aesthetic preferences and demands of later periods.

As we traverse back in time, armed with the lens of historical perspective, we could consider, as Peter Francis suggests, a potential Sassanian origin. However, apart from the standalone carving above, there's little about the design of these beads that suggests a connection to Sassanian culture.

In the ensuing text, I'll explore a path that I find more compelling. It leads us back to the zenith of the
Buddhist Kushan era.
 


The beads in
my collection
are now for sale

Inquire
through bead ID
for price


Sources,
apart from the net:


Seleukos Nikator, Constructing a Hellenistic Kingdom
 John D. Grainger

Bactria, The Histoty of a forgotten Empire -
H. G. Rawlingson

Alexander the Great
Robin Lane Fox

A History of Christianity - Diarmaid Mc Culloch

Hellenism in ancient India - Bannerjee, Gauranga Nath
 
Verdens Kulturhistorie
(Bind II til V) -
Will Durant

The Art and Architecture of India
1996. B. Rowland

Buddha Statuen -
Leonhard Adam,1925

Buddha in Indien - Kunsthistorisches Museeum in Wien - 1995

Buddhism in North western India and Eastern Afghanistan, Sixth to Ninth Century AD
Giovanni Veradi


The Greek Experience of India: From Alexander to the Indo-Greeks
Richard Stoneman 2019
 

 
 
BELOW, BEHOLD THE TALISMANS FROM THE KUSHAN ERA

Displayed below are carved stone hands encased in gold, excavated from the Royal Kushan gravesite in
Tillya Tepe, a site attributed to the first century A.D.

   
Kushan clenched-hand beads - National Museum of Afghanistan
Photos from
: Afghanistan, Crossroads of the Ancient World - British Museum

Take a moment to compare these two Kushan talismans with the so-called Islamic quartz bead shown further below.
 
It's worth noting that Tillya Tepe is in close proximity to Mazar-e-Sharif, the origin of the majority of the glazed quartz beads we're discussing.


My collection

Without a doubt, there is a compelling argument to be made that this milky quartz bead is a product of the Kushan tradition. Although I cannot definitively prove it, I can assert that the likelihood is very high.

The hand gesture of the Kushan talisman bears a striking resemblance to the 'mano-fico,' a symbol prevalent throughout the Roman era. However, it's worth noting that the Kushan talisman positions the thumb distinctly, not placed between the index and middle finger as seen in the Roman mano-fico.


Roman mano-fico
Note the placement of the thumb

In the same category of talismans, we also find feet as motives:


Tillya Tepe

Once again, the similarity to the glazed quartz beads below is striking.

.
My collection


My collection


Tillya Tepe

In terms of the depiction of hands and feet, one could conjecture a potential influence from Buddhism. The ancient tradition of Buddhism practiced aniconism in art, often representing Buddha through a hand or a foot, an empty throne, or the Bodhi Tree.
 
Furthermore, there's a discernible similarity to
Fahtima's hand. However, it's noteworthy that both Fatima's and Buddha's hand gestures, the mudras, are characteristically open and welcoming. As a matter of fact, Fatima's healing hand, known as the Hamsa, along with Buddha's hand of blessing, both find their roots in the ancient Indus Valley civilization.


Indus Mother Goddess with the blessing hand gesture

A clenched fist conveys a message distinct from openness. Much like the Roman mano-fico, it is a symbol befitting a more combative or defensive stance. As mentioned in a book from the British Museum, these carved hands and feet likely served as talismans intended to ward off evil forces.

These Kushan artifacts from Tillya Tepe are unique in their expression, but also reflect influences from Bactrian Greek art.

Below are some gold beads discovered in the same Kushan burial site at Tillya Tepe:

Again we find a great similarity with the patterns in the glazed quartz bead below. The gold beads and are sized between 25 to 28 mm. The glazed quartz beads are on average a bit smaller


My collection


My collection

And here again there is a striking resemblance between the Kushan artifacts and the glazed quartz beads:


 
Tillya Tepe
 




My collection
 



Tillya Tepe



My collection

As Islam began to institutionalize its state power, it tended to erase all traces of preceding religions, cultures, and ideologies, much like Christianity. Kashmir serves as a prime example of this phenomenon. The original Hindu inhabitants, the Kashmiri Pandits, associate every waterfall, river, and mountain peak with names referencing a myriad of religious myths and folklore narratives. In contrast, the Muslims in the area abide by the teachings of the Quran and pan-Islamic art and culture. In this sense, they exist in a historical and geographical vacuum, their connection to their immediate surroundings diminished to the extent that relocating to Saudi Arabia would make little difference from this perspective.
 
However, as mentioned, Islam did not enforce an absolutist religious, cultural, and ideological conformity during its eastward expansion until around 1200 A.D. This allowed age-old artistic expressions to continue evolving independently.
 
Below, you can observe an ancient Indus gold goblet originating from the same Bactrian region.


Goblet (99 mm) with geometric motif - Tepe Fullol
2200 - 1900 B.C.

This cross motif we find reused in abundance on the glazed quartz beads:


My collection

The old Indus and later Buddhist cross-motif can also be found:

While I cannot definitively prove that these glazed beads originate from the Kushan culture, the evidence suggests it is a plausible theory. Moreover, the hypothesis that they have non-Islamic roots is more readily supported by the evidence at hand.

FIST AND FEET-TALISMANS

 


 

BACT 1  - 14 * 9 * 6,5 mm
 


 
 




BACT 2  -  13 * 9,5 * 5 mm

 

 Follow this link if you want to see more fist & feet talismans.



BALL SHAPED GLAZER QUARTZ BEADS
 





BACT 3 -  15 * 14 mm

 
 




 
 





BACT  4 -  19 * 18,5 mm


 

Follow this link if you want to see more ball shaped beads.
 



LOTS
 





 
BACT  5 LOT -
 

f



 
 





 
BACT 6 LOT  -
 

f



 
 



 
BACT 7 LOT -
 


 
BACT 8 LOT -
 





VASE SHAPED BEADS
 




 
BACT  9 -  42 * 18,5 * 13 mm
 


 
BACT  10 - 40 * 15 * 11,5 mm
 

Note the mysterious Ankh-looking motifs on the two beads above. I have no explanation for this phenomenon.



 
 





 
BACT 11 -  34 * 17 * 12 mm
 

Follow this link if you want to see more ball shaped beads.
 




ABSTRACT  MODERN  ANCIENT  ART  BEADS
 




BACT 12 -   35 * 18 * 11 mm

 


I warmly encourage you to view these specimens not merely as historical artifacts, but akin to works of modern art. The ancient bead, through the prism of time's wear and tear coupled with casually applied, worn down yet strikingly beautiful colors, takes on a certain abstract artistic quality. Broken beauties, in particular, gain a unique fascination when perceived through this lens that blends aesthetics with rich historical narratives. It is a viewpoint that adds a new layer of depth and appreciation to these enduring tokens of the past.
 
 




BACT  13 -  33 * 16 * 14 mm

 


Open your intuition to these beads, allowing them to whisper to you tales of Greek legend intertwined with the lives of Bactrian Buddhists. Let them transport you to an era of a near-forgotten, yet rich and powerful kingdom that once thrived, resonating with its echoes in the subtle murmur of these ancient tokens.
 
 




BACT 14 - 28 * 15 * 12 mm

 




 
 




BACT 15 - 35 * 16 * 14 mm

 




 
 




BACT 16 - 34 * 17 * 10 mm

 




 
 




BACT 17 -  33 * 17 * 12 mm

 




 
 




BACT 18 -  36 * 19 * 13 mm

 




 
 




BACT 19 - 31 * 13 * 11 mm

 




 
 




BACT 20 - 33 * 14 * 14 mm

 




 
 





 
BACT 21 - 34 * 14 * 14 mm
 




 
 




BACT 22 -  30 * 14 * 13 mm

 




 
 




BACT 23  -  35 * 18 * 11 mm
 

 




 
 




BACT 24 -  19 * 15 mm

 




 
 




BACT 25 -  17 * 17 mm

 




 
 




BACT 26 -  12 mm

 




 
 




BACT  27 -  15 mm

 




 
 




BACT  28 -   17 * 15 mm

 




 
 




BACT 19  -  17 * 14,5 mm

 




 
 




BACT 20 -  18 * 16 ,5 mm

 




 
 




BACT 21 -  16 * 14 mm

 




 
 




BACT  22 -  20 * 17  * 16 ,5 mm

 




 
 





BACT 23 -  19 * 13 mm

 




 
 






 
BACT 24 - 14 * 14 mm
 


BACT 25 -  12,5 mm
 




 
 





BACT  26 -  16 * 13 mm

 




 
 



      

 
BACT 27 -  15,5 * 12 * 7 mm
 


BACT 28  - 19 * 17 * 6,5 mm
 




 
 



   
BACT  29 - 17,5 * 17 * 6 mm

 


BACT 30  - 20 * 12 * 6 mm
 




 
 




BACT 31 -  15 * 11 * 5 mm

 


BACT 32  -  12 * 9,5 * 6 mm




 
 




BACT 33 - 14 * 12,5 * 5 mm

 





BALL SHAPED BEADS
 




 
BACT  34 -  13 * 11 mm
 




 
 




BACT 35 -  12 * 9 mm

 





 
 




BACT 36 -  16,5 * 10 mm

 





 
 




BACT  37 -  11 * 10,5 mm

 


7


 
 





BACT 38  -  14 * 10,5 mm

 





 
 




BACT 39  -  15 * 14,5 mm

 





 
 




 
BACT  40 -  11,5 * 11 mm

 





 
 




BACT 41 -  12,5 * 9,5 mm

 





 
 




BACT 42 -  15 * 13,5 mm

 





 
 





BACT 43 -  11 * 11 mm
 
 





 
 





BACT 44 -  13 * 9 mm

 





 
 



 

BACT  45 -  12,5 * 10,5 mm

 





 
 




BACT 46  -  19 * 15 mm

 





 
 



BACT  47 -  15 * 11 mm

 





 
 



BACT  48 -  14 * 12 mm

 






 
 




BACT 49  -  18 * 16,5 mm

 






 
 




BACT  50 -  18,5 * 16,5 mm

 






 
 



    
BACT 51  -  12 * 11,5 mm

 






 
 





BACT  52 -  11,5 * 9,5 mm

 






 
 




BACT 53  -  14 * 13 * 13 mm

 






 
 




BACT  54 - 17,5 * 13 ,5 mm
 

 






 
 




BACT 55 - 
11,5 * 11 mm
 






 
 




BACT 56  - 15 * 14 mm

 






 
 




BACT 57 -  15 * 14 mm

 






 
 



  
BACT 58  -  14 * 12 mm

 






 
 




BACT  59 -  14 * 13 mm

 






 
 



 
BACT 60 -  17 * 14 mm

 






 
 



 
BACT  61 -  21 * 16 mm

 






 
 



BACT  62 -  16,2 * 12,5 mm


 






 
 




BACT 63 -  16,5 * 14 mm

 






 
 




BACT  64 -  15 * 15 mm

 






 
 



 
BACT 65 -  13,5 * 12 mm

 






 
 




BACT 66 -  14 * 14 mm

 






 
 



 
BACT  67 -  15 * 14 mm

 






 
 




BACT 68  -  16 * 12,5 mm

 






 
 



 
BACT  69 -  17 * 13 mm

 






 
 




BACT 70 -  16 * 15 mm

 






 
 




BACT 71 -  14 * 12 mm

 






 
 




BACT 72 -  13 * 11,5 mm

 






 
 



    
BACT  73 -  11 * 10 mm

 






 
 




BACT 74 -  19 * 16,5 * 15  mm

 






 
 




BACT 75 -  18 * 16,5 mm

 






 
 



  
BACT 76 -  13 * 12,5 mm

 






 
 



 
BACT 77 -  14.5 * 14 mm

 






 
 




BACT 78 -  18 * 17 mm

 






 
 



  
BACT  79 -  14 * 14 mm

 






 
 




BACT  80 -  17 * 15 mm

 






 
 




BACT 81 - 20 * 15 mm

 






 
 




BACT  82 - 16 * 13 mm

 






 
 




BACT  83 - 22(20) * 17,5 mm

 






 
 





 
BACT 84 -  14,5 * 12,5 mm

 






 
 




 
BACT  85 -  18 * 15 mm

 






 
 



  
BACT  86 -  12 * 11 mm

 

 






 
 




BACT  87 -  15 * 12,5 mm

 

 






 
 




BACT 88  -  21 * 19,5 * 18,5  mm

 

 






 
 




BACT 89  -  19 * 17,5 * 15,5  mm

 

 






 
 




 
BACT  90 - 21 * 12 * 10,5 mm
 


 
BACT 91  -  19 * 11 * 9 mm
 

 






 
 



 
BACT 92  -  19 * 10 mm

 

 






 
 




BACT 93 -  27 * 19 mm

 

 






 
 



  
BACT  94 -  21 * 18 * 13 mm

 

s






 
 



 
BACT 95 -  12,5 * 11,5 mm

 

 






 
 




BACT  96 -  23  * 18 * 15 mm
 

 

 






 
 



 
BACT  97 -  19 * 14 mm
 

 

 







VASE SHAPED BEADS
 




BACT  98 - 45 * 19 * 15 mm

 

 




BACT 99  - 28 * 15 * 14 mm

 

 




BACT 100 - 28 * 13 * 12 mm

 

 




BACT 101 - 31 * 15 * 12 mm
 

 

 





 
BACT 102 - 38 * 15 * 13,5 mm
 






 
 





 
BACT 103 -  33 * 15 * 11,5 mm
 






 
 





 
BACT 104 - 39 * 16,5 * 13 mm
 






 
 





 
BACT 105 -  36 * 16 * 11 mm
 






 
 





 
BACT 106 - 30 * 13,5 * 13 mm
 






 
 





 
BACT  107 -  33 * 15 mm
 






 
 





 
BACT 108 - 35 * 15 * 13,5 mm
 






 
 





 
BACT 109 -  30 * 15,5 * 12 mm
 






 
 





 
BACT 110 -  33 * 16 * 12 mm
 






 
 





 
BACT 110  -  32 * 16 * 13 mm
 






 
 





 
BACT 111 -  30 * 16 * 11 mm
 






 
 





 
BACT 112 -  29 * 16 * 15 mm
 






 
 





 
BACT 113 -  34,5 * 17 * 12 mm
 






 
 





 
BACT 114 -  30 * 15 * 11,5 mm
 






 
 





 
BACT 115 - 27 * 15 * 13 mm
 






 
 





 
BACT 116 -  38 * 17 * 15 mm
 






 
 





 
BACT 117 -  34 * 16 * 15 mm
 






 
 





 
BACT  118 - 33,5 * 15 * 13 mm
 






 
 





 
BACT 119 - 35 * 16 * 9,5 mm
 






 
 





 
BACT  120-  33 * 17 * 14 mm
 






 
 





 
BACT 121 -  33 * 14 * 11,5 mm
 






 
 





 
BACT  122 -  32,5 * 15,5 * 13,5 mm
 






 
 





 
BACT 123 -  28,5 *15 * 11,5 mm
 






 
 





 
BACT  124 -  27;5 * 14,5 * 14 mm
 






 
 





 
BACT 125 -  34 * 15 * 10,5 mm
 






 
 





 
BACT 126  -  35,5 * 16,5 * 13,5 mm
 






 
 





 
BACT 127 -  31,5 * 15 * 11 mm
 






 
 





 
BACT 128 -  41,5 * 19 * 16 mm
 






 
 





 
BACT  129 -  31 * 16 * 14,5  mm
 






 
 





 
BACT 130 -  32 * 16 * 15 mm
 






 
 





 
BACT  131 -  30 * 15 * 11 mm
 






 
 





 
BACT 132 -  34,5 * 16 * 14,5 mm
 






 
 





 
BACT 133  -  37 * 16 * 13 mm
 






 
 





 
BACT 134 -  25 * 13 * 12 mm
 






 
 





 
BACT 135 -  25 ' 12 * 11,5 mm
 






 
 





 
BACT 136 -  32 * 15 * 15 mm
 






 
 





 
BACT 137 -  27 * 15 * 11 mm
 






 
 





 
BACT 138 -  29 * 16 * 11 mm
 






 
 





 
BACT 139 -  31,5 * 15, 5 * 14 mm
 






 
 




 
BACT 140 -  32 * 16 * 12 mm
 






 
 





 
BACT 141 -  28 * 15,5 * 12,5 mm
 






 
 




BACT  142 - 35 * 15 * 14 mm

 






 
 




BACT 143 -  29 * 13 * 11 mm

 






 
 




BACT 144 -  25 * 15 * 11 mm

 






 
 




BACT 145 - 30 * 13 * 12 mm

 






 
 




BACT  146 - 34 * 16 * 12 mm

 






 
 




BACT 147 -  32 * 16 * 12 mm

 






 
 




BACT  148 - 29 * 14 * 11 mm

 






 
 




BACT  149 - 23 * 15 * 11 mm

 






 
 




BACT 150 - 31 * 13 * 12 mm

 






 
 




BACT 151 -  31 * 15 * 11 mm

 






 
 




BACT 152 - 32 * 15 * 13 mm

 






 
 




BACT  153 - 30 * 14 * 11 mm

 






 
 




BACT  154 -  29 * 15 * 12 mm

 






 
 




BACT  155 -  34 * 13 mm

 






 
 




BACT  156 -  30 * 17 mm

 






 
 




BACT 157 -  32 * 13 mm

 






TALISMANS IN DIFFERENT SHAPES
 




BACT 158  -  21 * 18 * 7 mm

 






 
 




BACT  159 -  11 * 9 * 4 mm

 






 
 




BACT 160 -  19 * 15 * 7 mm

 






 
 




BACT 161 -   17 * 15,5 * 11,5 mm

 






 
 





 
BACT 162 -  19 * 13 * 4,5 mm

 






 
 




BACT 163 -  17 * 13 * 6,5 mm

 






 
 




BACT  164 -  13 * 11,5 * 5 mm

 






 
 




BACT  164 -  17 * 13 * 7 mm

 






 
 




BACT 165 -  16 * 14 * 6 mm

 






 
 




BACT  166 -   19,5 * 9,5 * 6 mm
 






 
 





 BACT 167 -  28 * 17,5 * 11  mm

 






BACTRIAN FIST & FEET TALISMANS
 




BACT 168  -  13 * 9,5 * 5 mm

 


 
 




BACT 169  -  14 * 10 * 6 mm

 


 
 




BACT  170 -  14,5 * 9 * 6 mm - ommer

 


 
 




BACT  171 -  12; 5 * 6 * 5 mm

 


 
 




BACT 172  -  18 * 10 * 5 mm
 

 


 
 




BACT  173 -  15 * 10 * 7 mm
 

 


 
 




BACT  174 -  17 * 9 * 4,5 mm

 


 
 




BACT 175 -  15 * 9 * 6  mm
 

 


 
 




BACT  176 -  16 * 9,5 * 6 mm
 

 


 
 




BACT 177  -  14 * 8 * 5,5 mm
 

 


 
 




BACT 178  -  15,5 * 10 * 7 mm
 

 


 
 




BACT 179  -  15 * 9 * 5,5 mm
 

 


 
 





 
BACT 180  -  13 * 8 * 5 mm

 


 
 




BACT  181 -  13 * 8,5 * 6,5 mm

 


 
 




BACT 182  -  15 * 11,5 * 7 mm

 


 
 




BACT 183  -  14 * 9 * 6 mm

 


 
 




BACT 184  -  17 * 12 * 7 mm

 


 
 




BACT  185 -  18,5 * 12 * 6 mm

 


 
 




BACT  186 -  13 * 9 * 7 mm
 

 


 
 




BACT 187 -  14 * 10,5 * 7 mm

 


 
 





BACT  188 -  12 * 9,5 * 5 mm
 

 


 
 




BACT  189  -  18 * 10 * 7 mm

 


 
 




BACT  190 -  15 * 9 * 6 mm

 


 

 


 
 




BACT  191 - 17,5 * 12,5 * 8,5 mm
 

 


 
 




BACT  192 -  16 * 9 * 6 mm
 

 


 
 





BACT  193 -  18 * 10 * 7 mm
 

 


 
 





BACT  194 -  17 * 12 * 7 mm

 


 
 




BACT 195  -  16 * 10 * 4,5 mm
 

 


 
 




BACT  197 -  15 * 11 * 5 mm

 


 
 




BACT 198  -  15 * 9,5 * 6,5 mm

 


 
 




BACT  199 - 15 * 10 * 6 mm

 


 
 





BACT  200 - 18 * 10 * 5 mm

 


 
 





BACT  201 -   17 * 11,5 * 8,5 mm

 


 
 





BACT 202  -  14,5 * 13 * 6 mm

 


 
 





BACT 203  -   17 * 13 * 7 mm

 


 
 





BACT 204 -  14 * 9 * 5 mm

 


 
 





BACT  205 -  16 * 10,5 * 7 mm

 


 
 




 
BACT  206 -  15 * 9,5 * 5,5 mm

 


 
 





 
BACT 207  - 13 * 9 * 6,5 mm

 


 
 






 


 
 



 

   

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Contact: Gunar Muhlman - Gunnars@mail.com